Bordeaux/Dordogne Trip – We Owe it All to Martin Walker and Bruno, Chief of Police
Several years ago, I ordered a book recommended by Amazon. I do that from time to time, and I will tell you honestly, some of them are real stinkers.
This book, Bruno, Chief of Police, by Martin Walker, was delightful. So delightful I started looking for more of the series, some of which I was able to find used. So delightful, I shared the Bruno, Chief of Police with my husband, and he, too, was hooked.
If there is a genre I like, it is detective novels set in foreign locations, dealing with crimes that have to do with social issues current in the locale. The first I can remember is the Eliot Pattison series about Inspector Shan, a Chinese detective who falls on the wrong side of Chinese political correctness and ends up in a Tibetan jail, where he begins a series long association with Tibetan monks and the threat to Tibetan civilization that the Chinese pose. It is eye-opening reading.
The next series I discovered were the Barbara Nadel series set in Turkey with Inspector Cetin Ikhmen. Then the fabulous and prolific Donna Leon and Commisario Guido Brunette, set in Venice.
And actually, I don’t read all this books in sequence. I watch for books by these authors, and read them when they come out, not unlike my addiction to James Lee Burke and Dave Robicheaux, set in New Iberia, Louisiana and Montana.
That was a very long introduction to the idea that it makes travel in foreign lands much more user-friendly to have read books that put you on the ground, seeing what the people who live there might see. When we went to Venice, we went off the beaten track to eat at a restaurant that Commissario Brunetti recommends to a touring couple who witnessed a crime and made a report to him. It was a great adventure just finding this restaurant, Rossa Rosa (“Guido Brunetti Sent Us”) and it had delicious local food, no tourists. In Venice. Imagine. Now, too, when we read the newest Brunetti novel, or watch the German production of the Brunetti series, we feel a closer connection with Venice, a familiarity, because we have a “friend” on the inside. Or so we feel.
Bruno Correze, the Chief of Police in the fictional French village of St. Denise, along the Vezere river close to where it links with the Dordogne, loves his small town. In the very first volume, we meet his friends, we visit his home, we are with him when he prepares meals and entertains his friends (he uses a lot of duck fat) and we get to visit the markets and cafes with him. Every book, like the best of this genre, introduces us to at least one issue, social and/or criminal, past or present, which is manifesting itself as a problem in the Dordogne. The actual crime may or may not be the point of the novel, and the solutions are often very French.
We have devoured this series. We felt like we had been there. So we decided we needed to go there.
We visited the Dordogne – it seems like a short time ago – the last time, 35 years ago, when our son, now grown, was around 9. We made a special effort to make this a trip which was relevant to him, too. We visited Castelnaud, and spent hours with the trebuchets and mangonels, old weapons once the ne-plus-ultra of fighting off the enemy. We visited the old caves with early paintings, when they were still open to visitors.
We love France, we love traveling in France and we have never had a negative experience in France. While I once spoke French fluently – we lived in French speaking Tunisia – but language skills get rusty when they don’t get exercised. Oh, really, any excuse will do. Martin Walker’s books made us hungry, hungry for French foods and hungry just to be in France.
We booked a cruise out of Bordeaux, eight days of cruising on the Gironde, Dordogne and other rivers, visiting villages older than our entire nation, learning about major appellations, eating some fine food and drinking some very fine wine.
And then we picked up a rental car in Bordeaux and headed to the Dordogne. I’m going to tell you all about it, but first I want to share Martin Walker’s books with you. He, and Bruno, have a wonderful website where he tells you all his favorite places. As we read the Bruno books, we also take notes – which wine he chose to serve with the duck course, where he and his friends gathered for the wedding feast, etc. It was like having a friend who says “Oh, I am desolate I won’t be there, but here are all the places you need to go, restaurants you will like and oh, be sure to try this wine!” Hotel and restaurant recommendations are on the website under “Bruno’s Perigord”
Martin Walker’s Bruno, Chief of Police website
Here are the Bruno, Chief of Police books, in order, from a resource called How to Read Me, which puts the books in order. http://www.howtoread.me/bruno-chief-of-police-books-in-order/
1 Bruno, Chief of Police – Meet Benoît Courrèges, aka Bruno, a policeman in a small village in the South of France who has embraced the pleasures and slow rhythms of country life. But then the murder of an elderly North African who fought in the French army changes all that. Now, Bruno is paired with a young policewoman from Paris and the two suspect anti-immigrant militants. As they learn more about the dead man’s past, Bruno’s suspicions turn toward a more complex motive.
2 The Dark Vineyard – When a bevy of winemakers descend on Saint-Denis, competing for its land and spurring resentment among the villagers, the idyllic town finds itself the center of an intense drama. Events grow ever darker, culminating in two suspicious deaths, and Bruno finds that the problems of the present are never far from those of the past.
3 Black Diamond – Something dangerous is afoot in St. Denis. In the space of a few weeks, the normally sleepy village sees attacks on Vietnamese vendors, arson at a local Asian restaurant, subpar truffles from China smuggled into outgoing shipments at a nearby market—all of it threatening the Dordogne’s truffle trade and all of it spelling trouble for Benoît “Bruno” Courrèges, master chef, devoted oenophile, and, most important, beloved chief of police.
4 The Crowded Grave – It’s spring in the idyllic village of St. Denis, and for Chief of Police Bruno Courrèges that means lamb stews, bottles of his beloved Pomerol, morning walks with his hound, Gigi, and a new string of regional crimes and international capers. When a local archaeological team searching for Neanderthal remains turns up a corpse with a watch on its wrist and a bullet in its head, it’s up to Bruno to solve the case.
5 The Devil’s Cave – It’s spring in St. Denis. The village choir is preparing for its Easter concert, the wildflowers are blooming, and among the lazy whorls of the river a dead woman is found floating in a boat. This means another case for Bruno, the town’s cherished chief of police.
6 Bruno and the Carol Singers (short story) – Bruno is occupied with his Christmastime duties. From organizing carolers to playing Father Christmas for the local schoolchildren, Bruno has his hands full . . . at least until some funds raised for charity go missing.
7 The Resistance Man – First, there’s the evidence that a veteran of the French Resistance is connected to a notorious train robbery; then, the burglary of a former British spymaster’s estate; and, finally, the murder of an antiques dealer whose lover is conveniently on the lam. As Bruno investigates, it becomes clear that they are connected.
8 The Children Return (also known as Children of War) – Bruno’s village of St. Denis has been called many things, but a hotbed of international intrigue has never been one of them . . . until now. When an undercover agent is found murdered just as a prodigal son is set to retun from a grim tour in the Middle East, the small town suddenly finds itself host to a determined global tribunal, threatening the usual cheer brought by St. Denis’s annual wine festival.
9 A Market Tale (short story) – As summer blooms, the newest talk of the town is the rapport between Kati, a Swiss tourist, and Marcel, a popular stall owner whom Kati meets over his choice strawberries. None are happier than police chief Bruno to see Marcel interested in love again, but as his friend’s romance deepens, Bruno senses trouble in the form of Marcel’s meddlesome sister Nadette.
10 The Patriarch (also known as The Dying Season) – Bruno Courrèges is thrilled when he receives an invitation to the lavish birthday celebration of his childhood hero, World War II flying ace Marco “the Patriarch” Desaix. But when the party ends in the death of one of Marco’s longtime friends, Gilbert, it turns into another day on the job for St. Denis’s chief of police.
11 Fatal Pursuit – It’s the start of summer, and Bruno’s found himself the last-minute replacement navigator in a car rally race. The event has attracted a spate of outsiders with deep pockets, big egos and, in the case of one young Englishman, an intriguing story about a lost Bugatti Type 57C. When a local scholar turns up dead, Bruno suspects unnatural causes.
12 The Templars’ Last Secret – When a woman’s body is found at the foot of a cliff near the idyllic French town of St. Denis, chief of police Bruno Courrèges suspects a connection to the great ruin that stands above: a long-ago Knights Templar stronghold. With the help of Amélie, a young newcomer to the Dordogne, Bruno learns that the dead woman was an archaeologist searching for a religious artifact of incredible importance.
13 A Taste for Vengeance – When a British tourist fails to turn up for a luxurious cooking vacation in the idyllic village in the south of France that Bruno Courrèges calls home, the chief of police is quickly on the case. Monika Felder is nowhere to be found, and her husband, a retired British general, is unreachable.
14 The Chocolate War (short story) – Police chief Bruno enjoys wandering the stalls of the weekly market in the village of St. Denis as they are being loaded with wares. But when Bruno’s old friend Léopold from Senegal start selling African coffee and chocolate more cheaply than Bruno’s old friend Fauquet at his café across the square, a competition erupts between the vendors.
15 The Body in the Castle Well – When Claudia, a young American, turns up dead in the courtyard of an ancient castle in Bruno’s jurisdiction, her death is assumed to be an accident related to opioid use. But her doctor persuades Bruno that things may not be so simple. Thus begins an investigation that leads Bruno to Monsieur de Bourdeille, the scholar with whom the girl had been studying, and then through that man’s past.
How to read me: Bruno, Chief of Police
http://www.howtoread.me/bruno-chief-of-police-books-in-order/
I owe a big thanks to Martin Walker for giving us so much inside information which enhanced our trip so much. I will try to remember to give him credit along the way as I take you along with us on our trip.
Jurassic World Explosive Experience
We’ve been waiting for a free afternoon to see Jurassic World, and yesterday was it. We wanted to see it in 3D, although in retrospect, I am not so sure it makes that big a difference. It was LOUD. We are not hard of hearing, and at the beginning I had to cover my ears, it was so loud.
And, for all the movies I have seen, this one had some twists I didn’t see coming. It was full of exciting moments, and, within its own context, believable. You have to believe that humans let greed overcome their good judgement. You have to believe genetic manipulation is possible. You have to believe that the minute someone says “this is totally safe” you’d better be looking for a life jacket and a way out. All this, I believe.
AdventureMan had some struggles with unexplained things, but I think they were good at covering their bases, if you paid attention when the scientists were talking. I had a really hard time believing velociraptors could be tamed in any way. Trained – maybe if they are bored enough, and the training follows their normal instinctive practices. Tamed? Ummm, I don’t think so.
I loved the homage paid to Jurassic Park. I always love it when the bad guys get their just desserts. I always wonder, if we get curious and clone/create a prehistoric animal, will we be able to foresee all the possible outcomes?
Chimamanda Ngozi Adichie: Americanah
“Ouch! Ouch, Chimanda! Stop!”
(Oh wait.)
Don’t stop.
It’s me who can’t stop. I read everything Chimamanda Ngozi Adichie writes. I only started reading her by accident, when I was facilitating the Kuwait Book Club I never intended to belong to, and found myself reading so many books by authors I had never heard of. We were reading Half Of a Yellow Sun and all of a sudden, I WAS Nigerian. She can do that. She uses the senses, she uses the thoughts in our head. We are really not so alien, us and the Nigerians I start to think. I have Nigerian friends, from the church. We all get along. We have a good time together.
“Not so fast!” Chimamanda tells me in Americanah, her newest book, which I put off buying until I could find it in paperback. “You are very different! You think differently! And growing up in a country where there are black and white, race becomes an issue that it is not when you are black, and everyone is black, and you are growing up in Nigeria.”
Hmmm. OK. That makes sense. I mean, I thought I was Nigerian because in Half of a Yellow Sun, I was Igbo, living in an academic community in Nigeria, and hmmmm. You’re right, Chimamanda, there were no white people around. Just us Nigerians.
Chimamanda, with her sharp, all-seeing eyes, her sharp ears and her sharp tongue make me cringe as she comes to the USA and comes up against assumptions many have about Africa. Do you even know where, exactly, Nigeria is? Do you know where Ghana is? Most Americans can find Egypt on a map of Africa, and MAYBE South Africa, but the rest is . . . mostly guesswork. Because we send clothing and food aid to African countries, we have the idea that all Africans are poor, but that is not so, and is insulting to the middle-class and upper class Africans who travel elsewhere for leisure – and education.
I don’t know how much of Chimamanda Ngozi Adichie’s book is autobiographical and how much is fiction. I know that her observations are acute, she nails expat friendships, she spotlights our blind spots and hypocricies, and she holds you in her grip because she is no less harsh with herself – if, indeed, her Ifemelu, the main character in Americanah, is reflecting Chimamanda’s own experience. The experiences, coming here, the overwhelming differences in manners and customs, even volume of voice and width of hand expression, are so immediate, so compelling, so well described that they have to have been experiences she herself had, and had the eyes to see. She must have taken notes, because she totally nails the expat experience.
Book ads and book reviews focus on Americanah as a book about being black in America, and it truly is that – as seen from the eyes of a non-American black, as she often reminds us.
She is hard on herself, returning to Nigeria, and quick to note that much of the change is in herself and her changed perspective. While I love the romantic storyline, I was disappointed by the fantasy ending, given how self-disciplined Adichie is at keeping it real in every other facet of the novel. On the other hand, I am still trying to think of an ending that would work for me, and I can’t. While her ending wraps it all up neatly, it’s the one part of the book where her sharpness dulls.
One of the things I liked best about the book was going behind the scenes, being Nigerian, going to school, having coffee, working, going to parties with other Nigerians, chatting with my girlfriends. We’ve done things with nationals of different countries before, but you know as soon as you walk in that your presence changes things. Chimamanda Ngozi Adichie takes me with her and no one knows I am there, observing, learning, figuring out how things are done when it’s “just us” Nigerians.
Here’s why I am a Chimamanda Ngozi Adichie addict. She keeps it real. She has eyes that see, and ears that hear, and a gift for capturing what she sees and hears and a gift for writing it down. She has insight, into herself, into others, into character and motivations. She is sophisticated and unpretentious, she admires and she mocks, but when she mocks, it is as likely to be self-mockery as mockery of another person, class, ethnicity or nation. Reading Adichie, I understand our similarities – and our differences. I believe she would be a prickly friend to have, but I would chose her as a friend.
Awards
● Winner of the 2013 National Book Critics Circle Award for Fiction
● One of The New York Times’s Ten Best Books of the Year
● Winner of the The Chicago Tribune 2013 Heartland Prize for Fiction
● An NPR “Great Reads” Book, a Washington Post Notable Book, a Seattle
Times Best Book, an Entertainment Weekly Top Fiction Book, a Newsday Top 10 Book, and a Goodreads Best of the Year pick.
Donna Leon and The Golden Egg
“What are manners?”
“What is ‘nice’, what does it mean?”
“What is ‘kind’?” the most adorable little boy in Pensacola asked me. It was bath time, a time when we have some of our best conversations, and you never know where the conversation will go.
I love these conversations because I have to think, too, but most of all, because I love to watch this little boy’s mind grow in grasping concepts and perceptions. He is four; his class in school is on the letter “U” this coming week, and already he can sound out words in the books we read together. He knows what a globe is, and how it differs from a map. He knows his address, and he can point to Pensacola on the globe.
He knows things because we talk to him, and because he goes to school and his teachers talk to him. His mind is wide open and he is eager to learn, and he asks the most wonderful questions.
Donna Leon’s Commissario Guido Brunetti has a new case that troubles him. He knows the dead man, not well, but he would see him in his quarter, and he often saw him helping out at the local laundry. He assumed the man was deaf and retarded, everyone knew that. When the dead man has no papers, in bureaucratic Italy, no birth certificate, no medical records, no finance records, no record of social aid (he is poor as well as disabled) Brunetti is troubled. How could such a familiar figure be so undocumented?
His mother is no help; her stories are transparent lies about travel to France and her son having grown up in the country with people whose name she cannot remember.
It is a troubling book. If you read Donna Leon, you will understand how close and wonderful and articulate Brunetti’s family is, how loved and cherished their children. We eat meals with them, we understand how the Venetian vernacular distinguishes those to whom one speaks more frankly and those to whom one lies. Brunetti’s a detective; the things he sees often trouble him, but this case troubles him more than most.
I can’t tell you more without spoiling the ending. All I can tell you is that it will encourage you to love your children, hold them closely, and give them all the benefits in their life-toolbox of attention, instruction and loving discipline that a parent (and grandparent!) can give.
The Invention of Wings by Sue Monk Kidd
This is one terrific book.
Amazon recommended this book to me, and as a person who loves just about everything Sue Monk Kidd writes, I bought it immediately. AdventureMan had also read a review and said it might be a good book for our book club, so he gets it next. Most of my friends have it on Kindle to read soon.
The book is written in two voices, that of Sarah Gremke’, white, and Charlestonian, of Charleston society families, and the other voice of Hetty/Handful, the slave given to Sarah for her 11th birthday. First Sarah tries to refuse the ‘gift,’ then, using her father’s law books, she writes a letter of emancipation for Hetty, and neither effort works. Sarah and Hetty are stuck with each other, stuck with the times, stuck with their situation, and stuck with the institutions that determine and limit what they will accomplish.
Or are they?
There were times, as I read the book, that I felt like I was going to suffocate. First, the heat and humidity of Charleston, South Carolina, are bad enough without the kinds of close-fitting clothing women were required to wear in that day; the thought of wearing those clothes makes me choke.
The limited expectations for women would stunt and damage the strongest female character in that society where those who thrived were those who were pretty, good at getting married, and good at bearing children, dressing appropriately and socializing endlessly at the same stale events.
Slavery damages everyone. No one should have that kind of power over another human being; studies show that when human beings are given power over another their very worst instincts come to the forefront. Why do we need studies? We have the real world to show us what that kind of power does, how it corrupts the one who holds the power so thoroughly that they don’t even know they are corrupted.
These are stories from my time living in countries where people from poorer countries came to work:
My maid had worked for a family where the men pestered her because she was full time and live-in. They assumed she was sexually available to them and made life very difficult for her. Her mistress saw a beautiful silk blouse she wore, a blouse she had saved for and only wore on her day off, and her mistress borrowed it, stained it, returned it and didn’t take any responsibility for ruining her one really nice blouse. It was never mentioned again. Only when the men complained about this woman was she allowed to leave; her mistress didn’t want the men tempted, she got her passport back and come to work for me. Her previous mistress wanted an ugly maid, and the men were hoping for someone more compliant.
The woman who bought my car had saved and saved, and was working under deplorable conditions in a day care. I told her that she had skills, get another job, and she told me that she hadn’t been paid for three months, and if she left she would never get that pay, and also her employer would never give her her passport or allow her to leave. She was, in effect, a slave.
Most of my friends are very good employers, taking good care of the people who come to work for them, but I have seen those (not my friends) who are violent and abusive. Being a slave is being trapped in an existence with no control over your own life.
Monk makes an interesting comparison of white women’s lives with their limitations being not unlike a variant of slavery. Maybe the conditions were a little better, but the un-free-ness was similar.
Sarah Grimke’ and her sister Angelina, against all odds, break free of family expectations and societal constraints. They forge their own way, with Angelina’s gift for rhetoric and Sarah’s keep legal writing. I had never heard of these women before, and I am so glad Sue Monk Kidd wrote this book to raise their visibility both as abolitionists and as some of the very first proponents for women’s rights to full equality.
As a quilter, I also loved in this book that Handfull’s mother is a quilter, and while she can neither read nor write, she puts down her history in an applique quilt which clearly spells out significant events in her life, and is a tool for passing family history from one generation to another.
All the Light There Was by Nancy Kricorian
AdventureMan came into the room where I was reading and handed me this book. “Will you read this?” he asked, and there was a note in his voice that sounded a little aggrieved.
“What’s up?” I asked. “You sound a little peeved.”
“I read this,” he said. “I thought it was pretty good, but when I read the reviews on Amazon, some people called it ‘trivial’,” and I could see he was embarrassed that something he thought was pretty good others believed was of little importance.
Big mistake, Adventureman.
I might read a little of the reviews when deciding whether to buy a book or not, because I won’t remember it when it comes time to actually read the book or review the book, but I never, NEVER read the reviews as I am reading or before I review a book. And, truthfully, I don’t really care what this reviewer says or that reviewer says. Sometimes I read a New Yorker review of a book and I think “that reviewer has her own filter and can’t see beyond her framework” or “Wow! That reviewer saw some things I’d like to see!” Sometimes I will read a review and then read the book and think that the reviewer really missed the mark, positively or negatively, it could be either way.
Reviews are opinions. We all have them. Some you might agree with, some you might not, but don’t let them touch you, or your experience with the book. We are each unique, and see through a unique lens!
First, it delighted me that I read this just after I read Babayaga, because I ejnoy Paris, and delight in walking Paris, and in Babayaga and in All the Light There Was, people do a lot of walking in Paris. So much so in All the Light There Was that I ran down to my little map collection for the Paris maps and would track the heroine through Paris. It was fun.
Although All the Light There Was is called a novel, I don’t think it is. As I read it, I thought it was highly biographical or autobiographical, based on a diary or diaries. The significant details – how the mama stockpiled food just as war was announced and all the places she stored it, including under the bed, the clothing they wore, the sweaters they knit, the indignities they endured, and the risks they bravely took against the occupying Germans – it doesn’t sound made up to me, it sounds like a story someone has told from that time.
The details are so strong – the bicycle tires that are treasured because if they go flat, that is the end of the last transport they have, the dresses that have become too big because people have eaten too little – these details sound like voices to me.
So I would not call this book trivial. This book captures a moment in time, it’s a snapshot. The characters don’t have a lot of depth, the events don’t have a lot of texture, but I do know what occupied Paris ate during the last years of the occupation (turnips) and the ambivalence with which Paris viewed their Jewish citizens. In this war-time Paris, Kricorian captures well Pastor Martin Niemoeller’s poem about When They Came for Me:
In Germany, they came first for the Communists, And I didn’t speak up because I wasn’t a Communist;
And then they came for the trade unionists, And I didn’t speak up because I wasn’t a trade unionist;
And then they came for the Jews, And I didn’t speak up because I wasn’t a Jew;
And then . . . they came for me . . . And by that time there was no one left to speak up.”
Many in Paris were happy to see the Jews go, happy it wasn’t them. Kricorian tackles this issue indirectly, with a light but inescapable hand.
One of the things that was shocking to both of us what that when Maral’s ancient Auntie Shakeh died, and we see the tombstone – she is 35 years old. We knew she and Maral’s parents had escaped the Turkish efforts to eradicate the Armenians in Turkey, but because we are seeing the story through Maral’s eyes, her parents and aunt seem ancient, whereas in today’s terms, they are very young adults.
Don’t read the reviews, AdventureMan! Read the book, take from the book what you will, enjoy your own experience. Write your own reviews!
Justin Cronin: The Twelve
I had downloaded The Twelve to my iPad for a trip, but didn’t get to it, and sort of forgot it was there until my son mentioned he was listening to it on audio-books, and it was good, maybe even better than the first book in the trilogy, The Passage. He had loaned me The Passage several years ago when it came out, and as soon as I finished, I got on the list to download as soon as the next book came out – it was that good.
Cronin’s gift is an ability to create a future world entirely different from our own, with a devastating enemy – the virals – who, literally, are us, transformed. Cronin can make the enemy terrifying, destructive, truly horrifying – and can make them also captive to their repugnant nature and even pitiable. I think that is an amazing dance for an author to accomplish.
The setting is post-apocalyptic USA; the government had a sector working on a secret weapon which – of course – was not able to be contained, creating 12 super vampire-like creatures called Virals, who in turn create hordes of minions. This volume, The Twelve, is set more than 100 years later, but shifts back to earlier times to help us understand how this disaster occurred, and how characters relate back to the earliest times of the disaster. The populations live in fear of sudden attacks; one family, out on a picnic, are almost totally wiped out by an eclipse for which the Virals were prepared – and the families were not.
As I read his books, I find them very cinematic, but, as my son and I discussed, too complex for a movie; it would need a gritty HBO series like The Wire, or OZ, or Deadwood to capture the subtleties, the nuances that make this a best-selling series. The heroes and heroines are all make for the screen, their relationships – and inter-relationships – make them interesting, and then, as we learn more, interesting again. We never know enough to make a final judgement on any character; the characters are complex and the relationships obscure until the author chooses to reveal. It makes it fun to try to spot them before he tells us. I missed a couple!
Although it can be read as a great-adventure stand-alone, you’ll be happier if you read The Passage before you read The Twelve. If you have a problem with postponing gratification, you might want to wait until the third and conclusive volume of the trilogy is published – and that may be a year or so.
Jeannette Walls and The Silver Star and Negligent Mothers
The first time I read anything by Jeannette Walls, I had not read her autobiographical best-seller, The Glass Castle. If I had, when I read the opening pages of one of my all-time-favorite books, Half Broke Horses , three young children out checking on the cows in America of the mid-1800’s, I would have said “Oh, yes, this is Jeannette Walls” instead of being so shocked that these three children were so far from home with a storm approaching. Not only does the storm approach – the oldest sister pushes her younger sister and brother up a tree and they are stuck there through a violent storm all night. No adult comes looking for them.
“Where is their mother?” in shock I thought, “a mother with three children out in the storm goes looking for them!”
Not if you are a Jeannette Walls mother. To ‘get’ Jeannette Walls, you really have to start with The Glass Castle, and learn about how she and her siblings are at the mercy of an alcoholic mother and father, both big liars, maybe with some attendant mental problems. Half Broke Horses is fiction, based on her own grandmother, who, at 15 rides 28 days across Indian territory to teach at a far-away school (What mother lets her 15 year old DAUGHTER ride for a month across dangerous country ALONE??)
I was on the send-as-soon-as-it’s-published list for Silver Star. And even once it arrived, I waited until I knew I might have a few free hours in the evening to read it – once you start Jeannette Walls, you can’t put it down. Her heroines in this novel are 15 year old Liz and 12 year old Bean (Jean) whose mother ran away from her hometown in Virginia to pursue a career in music. The mother has a small inheritance to sustain them; when life sours, as it often does for her, she packs the girls into her worn Dodge Dart and takes off. She isn’t always good about paying her bills. She talks to her girls about what a great team they are, and then takes off for a day or two, usually with some man, leaving them to eat chicken pot pies. Then, she abandons them with no sign of when she will be back.
The girls are pistols. They are survivors, much like Jeannette Walls grandmother in Half Broke Horses. When social services start coming around asking where their mother is, they take off headed for their Mom’s old home town, across the continent, in Virginia.
The heart of the story finds the girls living in the old family mansion, scouting for odd jobs, learning more about themselves and their heritage, and learning how a small community can smother, judge and support their community members in unexpected ways.
If you are a negligent, man-oriented, self-absorbed mother, you don’t want to have a writer for a daughter. Jeannette Walls is having a ball; her books are both sad and hilarious, and she has utter scorn for mothers who do not take the reins of motherhood and behave like grown-ups.
Language of Flowers by Vanessa Diffenbaugh
I didn’t expect to like this book as much as I did; from the first chapter I was hooked, so hooked I didn’t want to go to water aerobics of go to sleep until I had finished it. The title sounds girly and romantic, big yawn, but the book is anything but. The book is tough, and edgy, and tackles the foster care system without using sexual assault or out-of-the-ordinarily-cruel foster parents to bludgeon the point. She botches her one great chance at happiness when she sabotages her adoption by Elizabeth, who loves her dearly. The system can even be caring, but the effect of warehousing unwanted and neglected children damages their ability to trust, and to form relationships. We watch her as a child, self-destructive, angry, undermining her own chances of happiness.
Victoria even has a girly name to go with the title, but she is tough, and self-reliant, and very, very vulnerable, in spite of her toughness. Aging out of the system, she emerges a waif, with a hunger that stems more from emotional needs than physical.
She is greatly blessed to cross paths with people who look at her and truly see her, see her possibilities and her vulnerabilities, people who are willing to work with her, even to love her patiently, in spite of her prickliness and tendency to push people away. One of these is a florist, Renate, who recognizes in Victoria a gift for floral arrangement and is willing to work around her eccentricities. She gives Victoria a part-time job, in which Victoria flourishes.
In her emotional life, however, Victoria still has a lot of unresolved issues, stemming back to the very beginning when she was given up by a mother who, for whatever reason, didn’t want her. While she is hungry for love, she fears it as much as she wants it. Relationships overwhelm her. She abandons the love of her life, and then has to live with the consequences.
Watching her resolve her issues is cliff-hanging. You can’t stop reading. It’s not like watching a train-wreck; you know this girl has inner resources she has not yet tapped; you can read it in the loving evaluation of those who surround her. Every page of the way you are rooting for her to succeed.
And The Mountains Echoed by Khaled Hosseini
I danced when I saw the Amazon box; rarely do I buy hardcover (hurts too much when they fall over if I fall asleep reading, too bulky to carry on planes) but this one I was on the waiting list for, mail it as soon as it is published! Khaled Housseini, author of Kite Runner and A Thousand Splendid Suns has a new runaway best-seller; thanks to him I’ve just spent three days in Afghanistan, Paris and Los Angeles.
As the book opens, I am big brother to a baby sister whose Mom died in childbirth, living in a remote village in Afghanistan. Life is tough, but through the eyes of these children, life is idyllic, even though food is scarce and winters are cold. We have a huge oak tree with a swing, we play with the other children, and we have each other. Our father’s new wife is kind enough, but is busy with her own children, and the drudgery of cooking, cleaning and making do in a very small, poor Afghan village.
Later, I am Pari, living in Paris with an alcoholic, self-absorbed mother, making a life for myself, but always with a nagging feeling of something just outside my peripheral vision, another life . . .
The tale is told through the eyes of many, and on the way to the end of the tale we meet a wide spectrum of humanity, suffer the ills of war, callousness and unintended cruelties. We find that the man with superficial charm also saves and changes the lives of many, we find a doctor who finds fulfillment serving in the poorly resourced hospitals of Afghanistan, and we feel the agonies of a dutiful daughter watching her father fade into the world of Alzheimer’s.
It’s a wonderful, wild ride, richly textured, and when it finishes, you are not ready for it to end.
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