Babayaga by Toby Barlow
You know how books come your way in coincidental ways? Amazon.com had told me I needed to read Babayaga, so I ordered it. I’ve always loved mythologies, I devoured them like candy when I was young, always looking for more. Babayagas are very old, and exist under many names in most cultures – elderly women who usually deal with concoctions, often medicinal, who live alone. In the west, they were often called witches, in the Slavic countries, babayaga, and it seems to me there is an old woman used to scare children in the Gulf, too. It seems to be a cross-cultural phenomenon.
Here is what Wikipedia has to say about Babayaga:
Baba Yaga is a witch (or one of a trio of sisters of the same name) in Slavic folklore, who appears as a deformed and/or ferocious-looking elderly woman. She flies around in a mortar and wields a pestle. She dwells deep in the forest, in a hut usually described as standing on chicken legs, with a fence decorated with human skulls. Baba Yaga may help or hinder those that encounter or seek her out, and may play a maternal role. She has associations with forest wildlife. Sometimes she frightens a hero (e.g. by promising to eat him), but helps him if he is courageous. According to Vladimir Propp’s folktale morphology, Baba Yaga commonly appears as a donor, a villain, or something altogether ambiguous. In many fairy tales she kidnaps and eats children, usually after roasting them in her oven).
Andreas Johns identifies Baba Yaga as “one of the most memorable and distinctive figures in eastern European folklore,” and observes that she is “enigmatic” and often exhibits “striking ambiguity.”[1] Johns summarizes her as “a many-faceted figure, capable of inspiring researchers to see her as a cloud, moon, Death, Winter, snake, bird, pelican or earth goddess, totemic matriarchal ancestress, female initiator, phallic mother, or archetypal image”.[2]
Barlow’s BabaYaga includes all the backstory, inserted here and there, the Russian purges, revolts, revolutions, the wars, the mud, the snows, following the troops, and several different Babayaga, while focusing one one, the beautiful and mesmerizing Zoya, who lives in a magical post World War II Paris. She in unforgettable – unless, of course, she has woven a spell to muddy your mind and make you forget.
What I love about this book is that if it were true, you would still think it is fiction. If every single thing happened just as Barlow wrote it, you would never believe it. LOL! A wicked sour old babayaga turns a police detective investigating a murder into a flea; he finds it a novel experience and manages to make things come right even as a flea.
A young American man, Will, loving living in Paris, works for an ad agency and also for THE Agency in the heady days of post war Paris, where the rules are not yet in place and lines are fuzzy. Falls for a witch with a long history of loving and killing men, but that’s life. Is it better to love and lose than never to have loved? What if your love is a gorgeous babayaga who helps you live life with a vibrance and intensity you have never experienced?
There is a long, intricate, time-appropriate adventure/spy/industrial-scientific plot which I am not sure I entirely followed, with murders and shootouts and the Paris jazz and club scene, and it didn’t matter one whit whether I could follow the plot line or not, it was a wild ride of a novel and a lot of fun. 🙂
And The Mountains Echoed by Khaled Hosseini
I danced when I saw the Amazon box; rarely do I buy hardcover (hurts too much when they fall over if I fall asleep reading, too bulky to carry on planes) but this one I was on the waiting list for, mail it as soon as it is published! Khaled Housseini, author of Kite Runner and A Thousand Splendid Suns has a new runaway best-seller; thanks to him I’ve just spent three days in Afghanistan, Paris and Los Angeles.
As the book opens, I am big brother to a baby sister whose Mom died in childbirth, living in a remote village in Afghanistan. Life is tough, but through the eyes of these children, life is idyllic, even though food is scarce and winters are cold. We have a huge oak tree with a swing, we play with the other children, and we have each other. Our father’s new wife is kind enough, but is busy with her own children, and the drudgery of cooking, cleaning and making do in a very small, poor Afghan village.
Later, I am Pari, living in Paris with an alcoholic, self-absorbed mother, making a life for myself, but always with a nagging feeling of something just outside my peripheral vision, another life . . .
The tale is told through the eyes of many, and on the way to the end of the tale we meet a wide spectrum of humanity, suffer the ills of war, callousness and unintended cruelties. We find that the man with superficial charm also saves and changes the lives of many, we find a doctor who finds fulfillment serving in the poorly resourced hospitals of Afghanistan, and we feel the agonies of a dutiful daughter watching her father fade into the world of Alzheimer’s.
It’s a wonderful, wild ride, richly textured, and when it finishes, you are not ready for it to end.
Hemingway and A Movable Feast
After reading The Paris Wife, I had to read Hemingway’s A Movable Feast. I wanted to see how he saw his Paris years, and how his version integrated with the fiction version of Hadley’s. I was prepared to not like the book.
I was not prepared to like it as much as I did. Hemingway writes of the years when he was young, newly married and wildly happy, living a stimulating and lively life with lively friends. They were poor, but he was following his dream. They had a lot of fun.
Hemingway wrote this book, full of stories of their Paris life, full of names you know – Ezra Pound, Scott and Zelda Fitzgerald, Picasso, Closerie des Lilas, Les Deux Magots, Brasserie Lipp, the Louvre . . . and as you read it, you are there. He writes in the moment; you are right there experiencing it along with him. He writes of people he likes, and people he doesn’t like. He writes about his own vices – an addiction to horse racing, for example – and he writes with enormous sadness about how he came to be distracted from his marriage and lost the most wonderful relationship that ever happened to him. He blames it on the careless rich. He takes some responsibility.
He also writes very frankly and openly about people he doesn’t like and why. I couldn’t help but think it is a heady thing, being an acclaimed author, where you can take revenge by putting people you dislike in your books. Hemingway uses real names and real people and often portrays them in a distinctly unflattering light. It made me wonder if he was planning to commit suicide all along; that or he just didn’t care what people think, and it seems he might have been the kind just not to care.
Just after finishing this book, and talking one last time with his first wife, Hadly, Hemingway committed suicide. It leaves me wondering if he was driven to suicide by regret, or by fears that his bigger-than-life life of adventure, travel, high life and travel was over, or if he had serious bouts of depression all his life, and this was just another, deeper depression?
It is a great read, especially paired with Paula McLain’s book, The Paris Wife. I thought it might be “he said – she said,” but Hemingway and the fictional Hadley in The Paris Wife both agree that they had a love and marriage that was very special, that Paris was a wonderful stimulating, alive environment, and that it was a great tragedy when the marriage ended. A Movable Feast seems to say that destroying his marriage to Hadley was one of a cocktail of self-destructive behaviors over which he tried to ride herd (gambling on the horse races, drinking, drugs, a coterie of star-struck sex partners outside of marriage, inability to focus on his work, a curmudgeonly nature . . .)
It’s also an easy read. I particularly enjoyed reading it on the iPad because you can do that swirly-finger-thing and find out what words mean or see the street locations as he walks Paris, see whether a cafe or restaurant in Paris still exist. It would be a good airline read – keeps your attention and finishes quickly.
As little as I like Woody Allen, it was fun to see Midnight in Paris, and to have some visuals of this go-go inter-war era.
Two things that stuck out for me: Hemingway loved walking in Paris, as do I. He also talks here and there about the benefits of being hungry. There were times when money was tight; they wore old shabby clothes, and there were times they didn’t have much food. He talks about hunger sharpening your other senses. On the other hand, very quickly when he has money, he has a great meal and a drink – or two – or three.
Bottom line, I’m glad I read this book. It’s given me a lot to think about.
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