Crime Wave? Another Lie
Today I am sharing a blog post from Robert Reich, about how we can deal with the absurdities we are hearing about crime waves – but only in inconveniently Democratic majority cities:
How to respond to Trump’s lies about a “crime wave”
AUG 28, 2025

Friends,
Trump’s escalating rhetoric of a “crime wave” in America, coupled with threats to occupy Chicago, New York, Baltimore, and many other cities, has put many Democrats in a bind.
They worry if they deny crime is a problem, they could turn off swing voters who always and inevitably worry about crime.
As with immigration, crime is an issue that Trump can demagogue because, while the rate of serious crime his fallen dramatically, most Americans continue to fear crime. That fear has been heightened by expanding homeless encampments and drug overdoses in plain view, no matter what the statistics say.
Crime has also been a racial dog whistle. At least since Richard Nixon emphasized “law and order” and Ronald Reagan said he’d be “tough on crime,” Republicans have used fear of crime as code for white fear of Black people.
So what should Democrats do? My suggestion: Don’t simply give statistics showing that the rate of dangerous has fallen. Say safety is critically important, but local police rather than federal troops are best at dealing with it.
Don’t stop there. Hammer Trump for pardoning the 1,500 criminals who violently attacked the United States capitol and caused the deaths of four police officers — and for then firing the federal prosecutors who held them accountable.
Attack him for opening the floodgates to white-collar crime — hobbling the Consumer Financial Protection Bureau, freezing enforcement of the Foreign Corrupt Practices Act, disbanding the National Cryptocurrency Enforcement Team, and retreating from almost all federal lawsuits involving money laundering, crypto markets, and foreign corruption.
Since retaking the White House, Trump has granted clemency to Lawrence Duran, a health care executive who was convicted of leading a Medicare fraud and money laundering scheme. Trump has commuted the 14-year sentence of Jason Galanis, who defrauded investors, including a Native American tribe and a teachers’ pension fund, of tens of millions of dollars. He has pardoned Julie and Todd Chrisley, the reality TV stars convicted of bank fraud and tax evasion.
In April, the Wall Street Journal reported that Attorney General Pam Bondi was “swapping out and sidelining career supervisors who were responsible for charging crimes such as corruption, price fixing and securities fraud.”
Trump is soft on crime as long as the crime serves his own purposes. People who try to get on Trump’s good side — such as New York City Mayor Eric Adams, who was indicted on bribery charges during the Biden administration — have seen Trump’s Justice Department drop its charges against them.
Before they poured money into Trump’s initiatives and PACs, many Big Tech corporations were facing federal investigations and enforcement actions. Those investigations and lawsuits are now being dropped.
Earlier this year, the Department of Justice dropped its criminal case against Boeing, which involved the company’s role in two plane crashes that killed 346 people — despite Boeing previously agreeing to plead guilty in the case.
Trump is himself a criminal, found guilty on all 34 counts of falsifying business records in the first degree related to payments made to Stormy Daniels before the 2016 presidential election.
Don’t just accuse him of manufacturing a pretext to go into American cities. Hit him hard on his own horrific record of coddling criminals.
History the White House Doesn’t Like: The List of Exhibits Trump Wants Gone
It’s a strange honor to have exhibits selected that the President wants gone. As in Literature, when you read through the list, you learn a lot about the fears and the prejudices of the creator. In recent decades, the United States of America has had a greater tolerance for the idiosyncratic views of artists, appreciating their differing perceptions. The list below is taken word for word from the White House Post called The President is Right About the Smithsonian.
- The National Museum of African American History and Culture debuted a series to educate people on “a society that privileges white people and whiteness” — defining so-called “white dominant culture“ as “ways white people and their traditions, attitudes, and ways of life have been normalized over time” and portraying “the nuclear family,” “work ethic,” and “intellect” as white qualities rooted in racism.
- The campaign featured content from hardcore woke activist Ibram X. Kendi

As part of its campaign to stop being “wealthy, pale, and male,” the National Portrait Gallery featured a choreographed “modern dance performance“ detailing the “ramifications“ of the southern border wall and commissioned an entire series to examine “American portraiture and institutional history… through the lens of historical exclusion.”

The National Portrait Gallery features art commemorating the act of illegally crossing the “inclusive and exclusionary” southern border — even making it a finalist for one of its awards.
(Intlxpatr comment: This painting reminds me of the painting of Mary, Joseph and the Baby Jesus escaping to Egypt to avoid King Herod’s massacre of the innocents)

The National Museum of African Art displayed an exhibit on “works of speculative fiction that bring to life an immersive, feminist and sacred aquatopia inspired by the legend of Drexciya,” an “underwater kingdom populated by the children of pregnant women who had been thrown overboard or jumped into the ocean during the Middle Passage.”
The American History Museum’s “LGBTQ+ History” exhibit seeks to “understand evolving and overlapping identities such as lesbian, gay, bi-sexual, transgender, queer, transsexual, transvestite, mahu, homosexual, fluid, invert, urning, third sex, two sex, gender-bender, sapphist, hijra, friend of Dorothy, drag queen/king, and many other experiences,” and includes articles on “LGBTQ+ inclusion and skateboarding“ and “the rise of drag ball culture in the 1920s.”
The National Museum of the American Latino features programming highlighting “animated Latinos and Latinas with disabilities” — with content from “a disabled, plus-sized actress” and an “ambulatory wheelchair user” who “educates on their identity being Latinx, LGBTQ+, and disabled.”
The National Museum of the American Latino characterizes the Texas Revolution as a “massive defense of slavery waged by ‘white Anglo Saxon’ settlers against anti-slavery Mexicans fighting for freedom, not a Texan war of independence from Mexico,” and frames the Mexican-American War as “the North American invasion” that was “unprovoked and motivated by pro-slavery politicians.”
According to the National Museum of the American Latino, “what unites Latinas and Latinos“ is “the Black Lives Matter movement.”

The National Portrait Gallery commissioned a “stop-motion drawing animation” that “examines the career“ of Anthony Fauci.

The American History Museum’s exhibit marking the 50th anniversary of Title IX includesbiological men competing in women’s sports and argues in favor of “transgender” athletes competing in sports against the opposite biological sex.
A exhibit at the American History Museum depicts migrants watching Independence Day fireworks “through an opening in the U.S.-Mexico border wall” and says America’s founders “feared non-White immigration.”

The American History Museum features a display that refers to the founding of America as “a profound unsettling of the continent.”
The American History Museum’s “American Democracy” exhibit claims voter integrity measures are “attempts to minimize the political power” of “new and diverse groups of Americans,” while its section on “demonstrations” includes only leftist causes.
An American History Museum exhibit features a depiction of the Statue of Liberty “holding a tomato in her right hand instead of a torch, and a basket of tomatoes in her left hand instead of a tablet.”

- The National Museum of the American Latino features an anti-American exhibit that defines Latino history as centuries of victimhood and exploitation, suggests the U.S. is stolen land, and characterizes U.S. history as rooted in “colonization.”
- The exhibit features writing from illegal immigrants “fighting to belong.”
- The exhibit displays a quote from Claudia de la Cruz, the socialist nominee for president and a director an anti-American hate group, as well as another quote that reads, “We didn’t cross the border; the border crossed us.”
- The exhibit remains prominently featured on its website alongside a quote from the Communist Party USA’s Angela Davis, who was once among the FBI’s Top 10 Most Wanted Fugitives.

- The National Museum of the American Latino features an anti-American exhibit that defines Latino history as centuries of victimhood and exploitation, suggests the U.S. is stolen land, and characterizes U.S. history as rooted in “colonization.”
- The exhibit features writing from illegal immigrants “fighting to belong.”
- The exhibit displays a quote from Claudia de la Cruz, the socialist nominee for president and a director an anti-American hate group, as well as another quote that reads, “We didn’t cross the border; the border crossed us.”
- The exhibit remains prominently featured on its website alongside a quote from the Communist Party USA’s Angela Davis, who was once among the FBI’s Top 10 Most Wanted Fugitives.

The former interim director of the future Smithsonian American Women’s History Museum declared the museum will be “inclusive” of biological men posing as women.
Commentary from The Hill, August 22, 2025:
White House lists 20 objectionable Smithsonian exhibits, artworks
BY ASHLEIGH FIELDS – 08/22/25 10:34 AM ET
The Trump administration specifically targeted the American history museum’s “LGBTQ+ History” exhibit and condemned a separate display lauding the 50th anniversary of Title IX with a focus on transgender athletes. President Trump signed an executive order in February barring transgender women from competing in women’s sports.
The decision to highlight more than a dozen exhibits and artworks as “woke” comes days after Trump criticized the history museum for its depiction of slavery and its impact on Black Americans.
“The Smithsonian is OUT OF CONTROL, where everything discussed is how horrible our Country is, how bad Slavery was, and how unaccomplished the downtrodden have been — Nothing about Success, nothing about Brightness, nothing about the Future,” the president wrote Tuesday in a Truth Social post.
“We are not going to allow this to happen, and I have instructed my attorneys to go through the Museums, and start the exact same process that has been done with Colleges and Universities where tremendous progress has been made,” he added. “This Country cannot be WOKE, because WOKE IS BROKE.”
During his first term, Trump lauded the opening of the National Museum of African American History and Culture for its portrayal of harsh truths and storied victories for disenfranchised Black citizens.
Trump’s issue with the depiction of slavery in museums has been widely challenged by Black historians and community leaders.
“Just as the Holocaust is remembered in all its brutality, so must America reckon with the truth of chattel slavery, Jim Crow and racial terror,” Toni Draper, publisher of the Afro-American Newspaper — the archives of which were used to help curate the museum — wrote in a recent op-ed for Afro.com. “Anything less is historical erasure, a rewriting of facts to make the nation appear more palatable.”
“But history is not meant to comfort — it is meant to confront. And only in confrontation do we find the lessons that lead us forward,” she added.
The “Righteous Gentiles”
Today in our church Lectionary, we celebrate those who stood up to the Nazi policies and shielded and rescued thousands of Jewish people who might otherwise not have survived the torture, imprisonment and extermination, solely for being “the other.”
PRAYER (contemporary language)
Lord of the Exodus, who delivers your people with a strong hand and a mighty arm: Strengthen your Church with the examples of the Righteous Gentiles of World War II to defy oppression for the rescue of the innocent; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.
“THE RIGHTEOUS GENTILES”
Although the phrase “Righteous Gentiles” has become a general term for any non-Jew who risked their life to save Jews during the Holocaust, it here appears to apply specifically to: Raoul Wallenberg [Swedish, d. 1947] Hiram Bingham IV [d. 1988, American]; Karl Lutz [d. 1975, Swiss]; C. Sujihara [d. 1986, Japanese]; and Andre Trocme [d. 1971, French].

Raoul Wallenberg (August 4, 1912 – July 17, 1947?) was a Swedish humanitarian who worked in Budapest, Hungary, during World War II to rescue Jews from the Holocaust. Between July and December 1944, he issued protective passports and housed Jews, saving tens of thousands of Jewish lives.
On January 17, 1945, he was arrested in Budapest by the Soviets after they wrested control of the city from the Germans, and was reported to have been executed while a prisoner at Lubyanka Prison, although this is not entirely certain.
Wallenberg has been honored numerous times. He is an honorary citizen of the United States, Canada, Hungary and Israel. Israel has also designated Wallenberg one of the Righteous among the Nations. Monuments have been dedicated to him, and streets have been named after him throughout the world.
— more at Wikipedia

Hiram “Harry” Bingham IV (July 17, 1903 – January 12, 1988) was an American diplomat. He served as a Vice-Consul in Marseille, France, during World War II, and helped over 2,500 Jews to flee from France as Nazi forces advanced.
In 1939, Bingham was posted to the US Consulate in Marseille, where he, together with another vice-consul named Myles Standish, was in charge of issuing entry visas to the USA.
On June 10, 1940, Adolf Hitler’s forces invaded France and the French government fell. Several influential Europeans tried to lobby the American government to issue visas so that German and Jewish refugees could freely leave France and escape persecution.
Anxious to limit immigration to the United States and to maintain good relations with the Vichy government, the State Department actively discouraged diplomats from helping refugees. However, Bingham cooperated in issuing visas and helping refugees escape France. Hiram Bingham gave about 2,000 visas, most of them to well-known personalities, speaking English, including Max Ernst, André Breton, Hannah Arendt, Marc Chagall, Lion Feuchtwanger and Nobel prize winner Otto Meyerhof.
— more at Wikipedia

Carl Lutz (b. Walzenhausen, 30 March 1895; d. Berne, 12 February 1975) was the Swiss Vice-Consul in Budapest, Hungary from 1942 until the end of World War II. He helped save the lives of tens of thousands of Jews from deportation to Nazi Extermination camps during the Holocaust.
Lutz immigrated at the age of 18 to the United States, where he was to remain for more than 20 years. Lutz’s sojourn in the United States ended with his assignment as vice-consul to the Swiss Consulate General in Jaffa, in what was then Palestine.
Appointed in 1942 as Swiss vice-consul in Budapest, Hungary, Lutz soon began cooperating with the Jewish Agency for Palestine, issuing Swiss safe-conduct documents enabling Jewish children to emigrate.
Once the Nazis took over Budapest in 1944 and began deporting Jews to the death camps, Lutz negotiated a special deal with the Hungarian government and the Nazis: he had permission to issue protective letters to 8,000 Hungarian Jews for emigration to Palestine. Lutz then deliberately misinterpreted his permission for 8,000 as applying to families rather than individuals, and proceeded to issue tens of thousands of additional protective letters, all of them bearing a number between one and 8,000. He also set up some 76 safe houses around Budapest, declaring them annexes of the Swiss legation. Among the safe houses was the now well-known “Glass House” (Üvegház) at Vadász Street 29. About 3,000 Jews found refuge at the Glass House and in a neighboring building.
— more at Wikipedia
Chiune Sugihara (1 January 1900 – 31 July 1986) was a Japanese diplomat, serving as Vice Consul for the Japanese Empire in Lithuania. During World War II, he helped several thousand Jews leave the country by issuing transit visas to Jewish refugees so that they could travel to Japan. Most of the Jews who escaped were refugees from German-occupied Poland or residents of Lithuania. Sugihara wrote travel visas that facilitated the escape of more than 6,000 Jewish refugees to Japanese territory, risking his career and his family’s life.
When asked why he did it, he responded:
“You want to know about my motivation, don’t you? Well. It is the kind of sentiments anyone would have when he actually sees refugees face to face, begging with tears in their eyes. He just cannot help but sympathize with them. Among the refugees were the elderly and women. They were so desperate that they went so far as to kiss my shoes, Yes, I actually witnessed such scenes with my own eyes. Also, I felt at that time, that the Japanese government did not have any uniform opinion in Tokyo. Some Japanese military leaders were just scared because of the pressure from the Nazis; while other officials in the Home Ministry were simply ambivalent.

People in Tokyo were not united. I felt it silly to deal with them. So, I made up my mind not to wait for their reply. I knew that somebody would surely complain about me in the future. But, I myself thought this would be the right thing to do. There is nothing wrong in saving many people’s lives …. The spirit of humanity, philanthropy … neighborly friendship … with this spirit, I ventured to do what I did, confronting this most difficult situation —and because of this reason, I went ahead with redoubled courage. ”
When asked why he risked his career to save other people, he quoted an old samurai saying: “Even a hunter cannot kill a bird which flies to him for refuge.”
— more at Wikipedia
André Trocmé ( April 7, 1901 – June 5, 1971) and his wife Magda (née Grilli di Cortona, November 2, 1901, Florence, Italy – Oct. 10, 1996) are a couple of French Righteous Among the Nations. For 15 years, André served as a pastor in the town of Le Chambon-sur-Lignon on the Plateau Vivarais-Lignon in South-Central France. He had been sent to this rather remote parish because of his pacifist positions which were not well received by the French Protestant Church. In his preaching he spoke out against discrimination as the Nazis were gaining power in neighboring Germany and urged his Protestant Huguenot congregation to hide Jewish refugees from the Holocaust of the Second World War.

In 1938, André Trocmé and Reverend Edouard Theis founded the Collège Lycée International Cévenol in Le Chambon-sur-Lignon, France. Its initial purpose was to prepare local country youngsters to enter the university. When the refugees arrived, it also took in many Jewish young people wishing to continue their secondary education.
When France fell to Nazi Germany, the mission to resist the Nazis became increasingly important. Following the establishment of the Vichy France regime during the occupation, Trocmé and his church members helped their town develop ways of resisting the dominant evil they faced. Together they established first one, and then a number of “safe houses” where Jewish and other refugees seeking to escape the Nazis could hide. Many refugees were helped to escape to Switzerland following an underground railroad network. Between 1940 and 1944 when World War II ended in Europe, it is estimated that about 3500 Jewish refugees including many children were saved by the small village of Le Chambon and the communities on the surrounding plateau because the people refused to give in to what they considered to be the illegitimate legal, military, and police power of the Nazis.
— more at Wikipedia
I am thankful for Sawtucket, who has kept me up with my daily Lectionary readings for more than 22 years. I thank Sawtucket for today’s reading, reminding us that we are all of one blood, one humanity, no matter our skin color, our nationality, nor our religion. We are human beings, and our job is to watch over one another.

